San Francisco Bay Area house pioneer BB Hayes follows up his underground dance floor hit Phoenix Lights with a peak time, deep tech track sure to become a Covid-Classic. Complete with 30/40s style air raid vocals over a driving Tech House beat and an ever-present ticking clock Remain In The House pulsates with eery synth stabs and an overarching sense of urgency.
Smoke Machine
After making is Swishcraft Music debut teaming up with ARKADE and Tom Keller for “London,” Juno is back with a new single ‘Smoke Machine’. Fusing together intoxicating thick beats with wobbly synths and eery stabs, this sizzling club weapon is destined for peak time play.
Extasis Drama (Part 1 & 2)
Big Room Circuit Alert!!
Jesus Montanez, one of Mexico’s top Big Room DJs and Producers teams up with the iconic and legendary club chameleon Alan T to produce a certified club banger with “Extasis Drama.” With additional club mixes to come by such production luminaries as Luis Erre, William Bhall, Alex Ramos, Alberto Ponzo & Fontez, Brian Solis, and Stephen Jusko, “Extasis Drama” is a heart-pounding, rhythmic train ride with the illustrious Alan T as your conductor. Play Loud!
London
Brazillian Electronic Music pioneers Arkade have garnered a reputation as one of the most exciting names on the Big Room Techno House scene in recent years, with releases on labels such as DID Records, Noise Music, Patent Skillz, Oscuro Music, Egothermia Records, Warbeats, Muzenga Records, Kombo Records, Drum Tunnel and Fingers Records. Together the dynamic duo team up with Juno and Swishcraft’s own Tom Keller to create a seductive & entrancing techno house anthem perfect for late-night big room sets.
Where Are We Going?
BOOM! GOES THE BEAT!
This one is for those diehard Big Room Circuit DJ’s and big festival fans.
Switzerland’s Taylor Cruz & France’s Tommy Marcus follow up their 2019’s vocal big room hit “Lair” with an equally addictive hands-in-the-air dance floor scorcher, “Where Are We Going?”. This time around a strong male vocal helps this record soar, with rhythmic and vocal throwbacks reminiscent of classic Gabriel & Dresden hits of the early 2000s.
Play Loud!
Living For The Music
“Living for the Music” is an uplifting house banger from the team of Brett Oosterhaus & Debby Holiday. After dance floors were left in ashes from their previous single “Girl From The Gutter,” Oosterhaus & Holiday drop a massive, big vocal dance floor scorcher complete with remixes by some of the world’s biggest chart-topping big room, tech, & underground producers.
From the sexy yet powerful tech & groove-house sounds presented by producers Luca Debonaire and The Rip City Boys, the big mainstream house and EDM laden sounds of Dirty Werk, Matt Moss, and Danny Morris, to the dance floor devastating Peak Hour & Latin Tribal prowess of Dirty Disco, VMC, Adrian Lagunas, and two mixes by Brett Oosterhaus as well as Brett teaming up with Joe Pacheco, “Living for the Music” has something for every dance floor.
Give Me A Beat!
Rafael Mesa spent years touring the circuit of the late ’80s and early 2000s as on one of LA’s hottest quadruple threats – Producer, Artist, Store Owner, and Touring DJ. The Co-Owner of LA’s most prestigious DJ Dance store Prime Cuts Records in Hollywood from 1987 – 2002, Mesa stepped away to start LA indie label Fresh Music LA which quickly landed 4 releases on the Billboard Dance Top 10 including their first Billboard Dance #1 ‘Control Yourself’ by Erin Hamilton. As a Label Producer and major label Remix Producer, Mesa’s sound was thick, throbbing, and infectious peak hour house music that still had an essence of mainstream house.
Mesa quickly follows his summer hit, “Disco Bitch” with “Give Me A Beat!”. Heralding a new chapter for Mesa as he began to drop several new releases in late 2019, “Disco Bitch” made a huge impact in the closing summer months blowing up on dancefloors and House Charts on services like Beatport, Traxsource, Juno and Spotify. And while “Disco Bitch” showcased his new style, a peak hour production style complete with Disco influences, lush textures with energetic overtones and a thumping baseline, “Give Me A Beat!” dial back the disco elements and swaps them out with a darker, sexier, 2 AM late-night throb reminiscent of the early 2000 hits of teams like Murk and labels like Strictly Rhythm.
If Mesa’s original is a bit too dark and late night for your floor, LA’s Griffin White provides the Griffin White Big Drums Mix that adds the circuit tribal flare sure to decimate your peak time dance floor.
Moving on Up
In the late fall of 1993, Heather Small and her UK based band M People released “Moving on Up,” the second single off their second album Elegant Slumming on Deconstruction Records. Written by Mike Pickering and Paul Heard, “Moving on Up” became M People’s best selling single topping both the UK and Billboard Dance Charts (#1). Twenty-Five years later, with the help of producers Dirty Disco & Matt Consola, Heather revisits her classic anthem with an entirely new set of club and radio remixes.
This time around, “Moving on Up” gets Mainstream, Big Room, Tech House, Deep House, and Progressive Remixes by a curated selection of the world’s most prominent club producers. Remix producers include Division 4 & Matt Consola, Dirty Disco, Joe Bermudez, Dirty Werk, Craig C, Testone, VANROD, Drew G, Rip City Boys (Matt Consola & Aaron Altemose), and Macau. Swishcraft Music is proud and honored to help reintroduce this classic anthem to a new generation.
Night Moves
Dwayne Minard returns with his next slice of dance floor heat, hot on the heels of his recent dance floor hit “Get It Up (Turn It Up)”. “Night Moves” is a fully loaded, punchy low-end, sexy, and erotic deep-electro track sure to get juices flowing. Larry Peace takes “Night Moves” in a decidedly more dynamic direction with brighter, more energetic synths and rapid-fire baselines. Enticing, captivating and sexy, ‘Night Moves’ is an effortlessly cool club weapon you’ll want to pay attention to.
OH I FEEL IT
Always leave them wanting more! Paris based house pioneer Tommy Marcus brings his eclectic range of influences to the table to create this Peak Hour scorcher. With a warm baseline that wraps it’s arms around you, supporting a fat peak time kick, elements of old skool and 90’s house rhythms, as well as bits of tribal instruments, are sprinkled throughout this record like spices in a great meal. Then like a fine sauce bringing it all together, the vocals are delivered with a powerful end of summer yearning that plays off an almost ear-worm addictive synth loop. This is an end of summer anthem that will be delivering the goods over and over again.